Alexander Binder Alexander BinderAlexander BinderAlexander BinderAlexander BinderAlexander Binder

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“Alexander Binder was born on Halloween night 1976 in the Black Forest/Germany. He is a self-taught photographer and has a degree in economics. Both – his photo and his film projects – are characterized by a fascination for the mystic, the spiritual and the occult.


Alexander grew up in a rural area shaped by the fairy tales of Wilhelm Hauff and the Brothers Grimm. This early contact with mythical creatures made him spent the whole puberty in the local video rental store, watching a surreal mélange of science-fiction- and horror-movies. His production process combines digital recording technology with self-built lenses and creates a blurred, diffuse and somewhat psychedelic look.”


http://alexanderbinder.de


The Ossuary (1970) by Jan Švankmajer


“One of the neglected masterpieces produced during Švankmajer’s early career is Kostnice (The Ossuary, 1970), a “horror documentary” shot in one of his country’s most unique and bleakest monuments, the Sedlec Monastery Ossuary. The Sedlec Ossuary contains the bones of some 50 to 70 thousand people buried there since the Middle Ages. Over a period of a decade, they were fashioned by the Czech artist František Rint with his wife and two children into fascinating displays of shapes and objects, including skull pyramids, crosses, a monstrance and a chandelier containing every bone of the human body. Their work was completed in 1870, and these artifacts have been placed in the crypt of the Cistercian chapel as a memento mori for the contemplation of visitors.”



***



Les images qui suivent proviennent du blog “Death Takes a Holiday“, trouvées (encore) sur le Morbid Anatomy (tout comme le vidéo de Jan Švankmajer … Ici le vidéo, les photos) …


The blog is ‘committed–or so it seems–to visiting and documenting the finest necropoli, “osteo-architecture,” and concentrations of mummies and religious waxworks in the entire world, including sites in Ecuador, Greece, Portugal, Italy, and Newark, New Jersey’…


bone chapelbone chapelBone ChapelBone Chapel

Bone ChapelBone Chapel

Bone Chapel

JHS Soltice Ete MMXJHS ÉQUINOXE PRINTEMPS MMXJHS ÉQUINOXE PRINTEMPS MMXJHS ÉQUINOXE PRINTEMPS MMXJHS ÉQUINOXE PRINTEMPS MMXJHS ÉQUINOXE PRINTEMPS MMXJHS ÉQUINOXE PRINTEMPS MMX

Littérature Apocryphe
Photographies de Annie-Ève Dumontier, Gil Nault & Étienne Dionne

Soft Cover, 7” x 7”, 80 pages (Couleur & NB) à venir.

The Skeletons of Waldsassen Basilica

‘Waldsassen, a town in Bavaria in Germany, is famous for its Papal basilica in baroque style. The halls of the church have an unusual decoration. The skeletons of Christian martyrs, who were exhumed from the catacombs of Rome between 1688-1765, are situated in glass vitrines and embedded in the rest interior decoration of the church. They are also known as the ”Holy Bodies.”


What differentiates these skeletons from the standard skeletal relics is that they are dressed in extravagant 1700s royal costumes and covered in jewels. Each year the church celebrates these martyrs at the Holy Bodies Fest.’ – Via Morbid Anatomy


Plus d’infos / photos ici.

Aislinn Leggett : The Last Sacrifice of Rite

Aislinn Leggett : The Last Sacrifice of Rite

Aislinn Leggett : The Last Sacrifice of Rite

Aislinn Leggett : The Last Sacrifice of Rite

Aislinn Leggett : The Last Sacrifice of Rite

Aislinn Leggett :


The Last Sacrifice of Rite is a work in progress, a study on the Catholic religion celebrated in rural communities. Villages in Quebec, those tucked away in valleys and winding roads throughout rural regions, are the areas that attract me the most.


Quebec was once a province where the Catholic Church was a very dominant institution in people’s daily lives. In smaller towns, priests were often as powerful as the local mayor. Archbishops of large cities were influential with the government and political decisions were mostly made in accordance with the Church’s beliefs. After the Quiet Revolution of the 1960’s, the institution that suffered the most was the Roman Catholic Church. Quebec’s social and moral values, which had all been anchored by the Church from the past, were questioned. Quebec became very secular.


When entering the church, the faces that look up from the pews are mostly older eyes framed by wrinkles and white glistening hair with the exception of some younger families that come every once and a while. There are no longer big families of 10 – 15 children lining the pews and important gatherings after mass are a thing of the past. The church and Sunday mass in small communities played a very important role, it was not only for the deeply devoted but was also a place for gathering and reunion. For women and men to gossip, to talk about the weather, about work and to simply take time and enjoy one another’s company. But today that sense of unity and gathering seems to be fading.


I have never experienced these days, I have only heard stories, nor have I ever seriously attended Catholic mass as a worshiper. My faith is somewhat of a constructed one following none but respectful of all. Being neither influenced nor offended, attending mass to observe and photograph is quite interesting. Watching mass, the process, the dance of the priest from bible to preaching and parishioners submissiveness of kneeling, standing and sitting unfolds almost like a rehearsed play. The people sit sporadically through the church, a building that can hold up to 1200 people, sits now maybe 50.


Priests try to keep their sermons contemporary, comparing Bible passages to recent news events, trying hard to keep up-to-date with lingo and the fast moving pace of today’s society to try to appeal to younger generations. But maybe they are a bit late with the attendance dwindling, at least for the younger people of the province, which see religion colliding with social morals and present ideals.


The Last Sacrifice of Rite is a study of what used to be a way of life, now transformed and how old values are trying to survive. It’s looking at people that are holding on to a deeply rooted tradition and priests that are determined to try and keep that ritual alive.


SOURCE

Étienne Dionne / Sacrement / Mtl, P.Q. / Novembre 2009

Étienne Dionne / Sacrement / Mtl, P.Q. / Novembre 2009

Étienne Dionne / Sacrement / Mtl, P.Q. / Novembre 2009

Étienne Dionne / Sacrement / Mtl, P.Q. / Novembre 2009

Photos Étienne Dionne, 19 Novembre MMIX

Re-post du blog d’Annie-Ève Dumontier :


Sacrement, Novembre 2009, Mtl, p.Q

Sacrement, Novembre 2009, Mtl, p.Q

Sacrement, Novembre 2009, Mtl, p.Q

Sacrement, Novembre 2009, Mtl, p.Q

Sacrement, Novembre 2009, Mtl, p.Q

Sacrement, Novembre 2009, Mtl, p.Q

19 Novembre MMIX

Le 19 novembre dernier – devançant de deux jours l’invitation du Pape à persévérer dans ‘l’Art lumineux’ -  se tenait le ‘vernissage’ de l’exposition ‘Sacrement’, édition MMIX (cette fois en sol montréalais).


Photos à venir.


Hermann Nitsch :


(…) ‘Nitsch’s work, which can be considered both ritualistic and existential, first drew attention in the early 1960s when he exhibited a skinned and mutilated lamb. The lamb was crucified against a white fabric-covered wall, with the entrails removed and displayed below a white table, splashed with blood and hot water. This was accompanied by Nitsch’s “Geräuschmusik”. Nitsch’s subsequent work has incorporated many similar elements, often combining slaughtered animals, red fruits, music, dancing, and active participants. Nitsch juxtaposed slaughtered animal intestines with quasi-religious icons such as staged crucifixions, satirizing and questioning the moral ethics of atavistic religion and sacrifice.


Currently his work is often discussed in the context of our cultures fixation with violence seen on the news, movie screens, and in popular video games. Correlations have also been drawn to many instances of the intersection of violence and culture. These performance works, which have become known as “actions” have become more and more elaborate over the years. This highly elaborate work is exemplified by the 6-Day Play, which Nitsch considered to be his pinnacle piece’ …


VOIR LES VIDÉOS


 


Merci Nasir Hasan.

Brad Woodfin 'the Holy-Goats'

Brad Woodfin 'the Holy-Goats'

Brad Woodfin 'the Holy-Goats'
Born a son of the maritimes in Marblehead, Massachusetts in 1970. Brad headed west in 1991 and eventually studied printmaking and painting at The Evergreen State College. Brad now lives in Montréal‘.


SOURCE


lamb zurbaran

Ça me rappele un peu  l’Agneau de Francisco Zurbaran.

Liturgie Apocryphe

"The production of nervous force is directly connected with the diet of an individual, and its refining depends on the very purity of this diet, allied to appropriate breathing exercises.

The diet most calculated to act effectively on the nervous force is that which contains the least quantity of animal matter; therefore the Pythagorean diet, in this connection, is the most suitable.

...

The main object was to avoid introducing into the organism what Descartes called 'animal spirits'. Thus, all animals that had to serve for the nourishment of the priests were slaughtered according to special rites, they were not murdered, as is the case nowadays".